STONEHENGE
HOW THEY BUILT IT
Software Used: Adobe After Effects, Premier Pro, Cinema 4d, RealFlow (fluids), World Creator.
Client: National Geographic Magazine, 2021.
The role involved responsibility for key aspects of the project, specifically focusing on 3D modeling of a specific terrain point on Earth using satellite data, and creating animations to represent its evolution over time. The work contributed to delivering a visually accurate and scientifically grounded final product that met high standards of quality and clarity.
Details of 3D Modeling:
In the 3D modeling phase, tasks included recreating a highly detailed and accurate representation of the terrain using satellite data. The model captured the specific geographic features and characteristics of the area, ensuring that the virtual representation aligned closely with real-world measurements. Textures and materials were carefully applied to enhance realism and provide a visually compelling base for subsequent animations.
Details of Temporal Evolution Animation:
The next phase focused on animating the terrain's evolution over time. This involved simulating changes in the landscape, such as shifts in elevation, erosion, or vegetation, to provide a dynamic and scientifically valid representation of its historical progression. Animations were designed to visually narrate the transformations in a clear and engaging manner.
Details of Present-Day Features and Water Simulations:
To illustrate the terrain's current characteristics, additional animations were created using fluid simulation software. This included simulating water flow and movement to highlight hydrological behaviors, such as river dynamics or water distribution across the terrain. These animations emphasized the unique features of the area, enhancing understanding through visually rich representations.
Information Gathering and Sketching Phase
Project Manager: Manuel Canales.
Video editing and animation: Ronald Paniagua Vega.
Patricia Healy, Ryan Morris, Eve Conant, and Matthew W. Chwastyk,
NGM Staff. : Matte painting: Gaëlle Sellignon and Antoine Collignon
Sources: Marek Audy; Francesco Sauro, University of Bologna